Book chapters
E. D’hoker (2023). “The Irish Short Story and the Aesthetics of Silence”. In: M.T. Caneda-Cabrera, J. Carregal-Romero (eds) Narratives of the Unspoken in Contemporary Irish Fiction. New Directions in Irish and Irish American Literature. Palgrave Macmillan. 87-107. https://doi.org/10.1007/978-3-031-30455-2_5
E. D’hoker (2022), “Imaginaries of Home in Deirdre Madden’s Fiction”, Anne Fogarty and Marisol Morales Ladron (eds), Deirdre Madden. New Critical Readings. Manchester UP. 180-198.
E. D’hoker (2022), “Ideal Men for an Ideal Ireland: Walter Macken’s Short Fiction”, K. Rennhak & S. Heinen (eds.), Walter Macken. Critcal Perspectives. Cork: Cork UP. 141-157
E. D’hoker (2021). “Staging Irishness: Ethel Colburn Mayne’s ‘The Happy Day’”, in Paul Fagan, Dieter Fuchs and Tamara Radak (eds), Stage Irish. Performance, Identity, Cultural Circulation. Trier: Wissenschaftlichen Verlag. 61-72.
E. D’hoker (2021), “A Forgotten Irish Modernist: Ethel Colburn Mayne”, Paul Fagan, John Greaney and Tamara Radak (eds), Irish Modernisms: Gaps, Conjectures, Possibilities (London: Bloomsbury). 29-41
E. D’hoker (2021). “The Short Story Series of Annie S. Swan for The Woman at Home.” In Elke D’hoker and Chris Mourant (eds), The Modern Short Story and Magazine Culture, 1880-1950. Edinburgh: Edinburgh University Press. 44-64.
E. D’hoker (2021), “New Directions in Irish Short Fiction Studies”, Eamon Maher and Eugene O’Brien (eds), Re-Imagining Irish Studies for the Twenty-First Century. Oxford/Bern: Peter Lang, pp. 183-192.
E. D’hoker (2020), “Daughters, Death and Despair in Ethel Colburn Mayne’s Anglo-Irish Short Stories”, Kathryn Laing and Sinéad Mooney (eds), Irish Women’s Writing at the Turn of the Twentieth Century. Alternative Histories, New Narratives. Brighton: Edward Everett Root Publishing, pp. 143-154.
E. D’hoker (2019), “From Isabel Archer to Mrs Osmond: John Banville reinterprets Henry James”, Pietra Palazzola and Darren Borg (eds), John Banville and his Precursors (London: Bloomsbury), pp. 68-86
E. D’hoker (2019), “The Relevance of Narrative Theory for the Study of Short Fiction: The Case of First-Person Present-Tense Narration”, Katharina Rennhak and Matei (eds), Relevance and Narrative Research (Maryland: Lexington Books), pp. 175-188.
E. D’hoker (2019). “The Short Story Anthology”, The Edinburgh Companion to the Short Story in English, Paul Delaney and Adrian Hunter (eds) (Edinburgh: Edinburgh University Press), pp. 108-124.
E. D’hoker (2018), « Réintégrer les voix féminines dans la tradition nouvelliste irlandaise », Frédérique Le Nan, Andrea Brünig, et Catherine Pergoux-Baeza (eds), Voix de Femmes dans le monde. Au prisme du genre dans la littérature et les arts (Presses Universitaires de Rennes), pp. 151-165.
E. D’hoker (2018), “Performing Prospero: Intertextual Strategies in John Banville’s Ghosts”, Nicholas Collins and Stanley Van der Ziel (eds), Shakespeare and Contemporary Irish Literature (London: Palgrave), pp. 223-247.
E. D’hoker (2018), “A Continuum of Fragmentation : Distinguishing the Short Story Cycle from the Composite Novel”, Patrick Gill and Florian KLäger (eds), Constructing Coherence in the British Short Story Cycle (London: Routledge), pp. 17-31.
E. D’hoker (2017), “Intersectionality”, Joost de Bloois, Stijn de Cauwer and Anneleen Masschelein (eds), 50 Key Terms in Contemporary Cultural Theory (Berchem: Pelckmans Pro), pp. 162-167.
E. D’hoker (2017), « Le renouveau de la nouvelle en Irlande », David Martens and Bart Van den Bossche (eds), 1947. Almanach Littéraire. Editions Nouvelles. pp. 280-286.
E. D’hoker (2017), “Artist stories of the 1890s: life, art, and sacrifice”, Reconnecting Aestheticism and Modernism. Continuities, Revisions, Speculations, eds. Bénédicte Coste, Catherline Delyfer and Christeine Reynier (London: Routledge), pp. 92-106.
E. D’hoker (2016). “Narrating the Community: The Short Story Cycles of Val Mulkerns and Mary Beckett” Narrating Ireland in Different Genres and Media. Ed. Katharina Renhak. Trier: WVTrier. pp. 17-32
Stephanie Eggermont and E. D’hoker (2016). “The Short Fiction of New Woman Writers in Avant-Garde, Mainstream and Popular Periodicals of the Fin de Siècle”, in Christoph Ehland and Cornelia Wächter (eds.), Middlebrow and Gender. 1880-1930. Leiden/Boston: Brill. pp. 21-38.
Baetens, J., De Geest, D., Bru, S., D'hoker, E., Gilleir, A., Martens, D., Van Den Bossche, B., Vogelzang, R. (2016). The Many Faces of Time in Modern Literature. In: MDRN (Eds.), Time and Temporality Peeters, IX-XVI.
E. D’hoker (2015), “Complicating the Irish Short Story”, in E. D’hoker and S. Eggermont (eds), The Irish Short Story. Traditions and Trends. Oxford: Peter Lang. pp. 1-17.
Elke D’hoker (2013), “Family and Community in Mary Lavin’s Grimes Stories”, in Elke D’hoker (ed.), Mary Lavin. Dublin: Irish Academic Press.
Elke D'hoker (2011) "Edna O'Brien" In Brian W. Shaffer (ed.) The Encyclopedia of Twentieth-Century Fiction. Vol 1. Twentieth-Century British and Irish Fiction. Oxford: Wiley-Blackwell. pp. 272-275.
Elke D'hoker (2011). "Distorting Mirrors and Unsettling Snapshots" In Claire Bracken and Susan Cahill (eds), Anne Enright Dublin: Irish Academic Press. pp. 33-50.
Elke D'hoker (2010). "John Banville's Dualistic Universe" In Julia M. Wright (ed.) A Companion to Irish LIterature, Vol. II (Blackwell Companions to Literature and Culture). Oxford: Wiley-Blackwell. pp. 345-359.
Elke D’hoker (2008). “Reclaiming Feminine Identities: Anne Enright’s The Wig My Father Wore” In Patricia Coughlan and Tina O’Toole (eds). Irish Literature: Feminist Perspectives. Dublin: Carysfort Press. pp. 185-202.
Elke D’hoker (2008). “From Mimesis to Metaphor: Unreliability in the Works of Kazuo Ishiguro.” Elke D’hoker en Gunther Martens (eds) Narrative Unreliability in the Twentieth-Century First-Person Novel. Berlin: De Gruyter. pp. 149-172.
Elke D’hoker (2007). “The Contemporary Irish First-Person Novel: Renewal of an Old Tradition?” In Michael Böss e.a. (eds.) Irish Studies in Europe. Ireland - Representation and Responsibility. Trier: WVT. pp. 41-51.
Elke D’hoker (2006). "Masks and Mirrors: Anthony Blunt's True Confessions in John Banville's The Untouchable," Patricia A. Lynch, Joachim Fischer and Brian Coates (eds) Back to the Present, Forward to the Past: Irish Writing and History since 1798. Vol I Amsterdam/New York: Rodopi. pp.119-132.
Elke D’hoker (2006). “Over het hoe en waarom van een feministische narratologie,” Sandrine Debunne en Sara S’Jegers (eds). Genderstudies: Een Genre Apart? (Brussel: Sophia 2006). pp. 368-376.
Elke D’hoker (2004). “John Banville”, in Elke D’hoker en & Ortwin de Graef (eds). Engelstalige Literatuur na 1945, Deel 1: Proza: De Britse Eilanden. Leuven: Peeters Uitgeverij. pp. 17-32.
Elke D’hoker (2004). “Kazuo Ishiguro”, in Elke D’hoker & Ortwin de Graef (eds). Engelstalige Literatuur na 1945, Deel 1: Proza: De Britse Eilanden. Leuven: Peeters Uitgeverij. pp. 115-130.
Elke D’hoker (2003). "The German Connection: John Banville vs. R.M. Rilke," Engaging Modernity, ed. Michael Böss and Eamon Maher. Dublin: Veritas. pp. 181-193.
Elke D’hoker (2002). "Negative Aesthetics in Hugo von Hofmannsthal's Ein Brief and John Banville's The Newton Letter," New Voices in Irish Criticism III, ed. Karen Vandevelde. Dublin: Four Courts Press. pp. 36-43.
Elke D’hoker & Geert Lernout (2001). "John Banville", The Lexicon of Post-War Literatures in English 52. pp. 1-15.
E. D’hoker (2022), “Imaginaries of Home in Deirdre Madden’s Fiction”, Anne Fogarty and Marisol Morales Ladron (eds), Deirdre Madden. New Critical Readings. Manchester UP. 180-198.
E. D’hoker (2022), “Ideal Men for an Ideal Ireland: Walter Macken’s Short Fiction”, K. Rennhak & S. Heinen (eds.), Walter Macken. Critcal Perspectives. Cork: Cork UP. 141-157
E. D’hoker (2021). “Staging Irishness: Ethel Colburn Mayne’s ‘The Happy Day’”, in Paul Fagan, Dieter Fuchs and Tamara Radak (eds), Stage Irish. Performance, Identity, Cultural Circulation. Trier: Wissenschaftlichen Verlag. 61-72.
E. D’hoker (2021), “A Forgotten Irish Modernist: Ethel Colburn Mayne”, Paul Fagan, John Greaney and Tamara Radak (eds), Irish Modernisms: Gaps, Conjectures, Possibilities (London: Bloomsbury). 29-41
E. D’hoker (2021). “The Short Story Series of Annie S. Swan for The Woman at Home.” In Elke D’hoker and Chris Mourant (eds), The Modern Short Story and Magazine Culture, 1880-1950. Edinburgh: Edinburgh University Press. 44-64.
E. D’hoker (2021), “New Directions in Irish Short Fiction Studies”, Eamon Maher and Eugene O’Brien (eds), Re-Imagining Irish Studies for the Twenty-First Century. Oxford/Bern: Peter Lang, pp. 183-192.
E. D’hoker (2020), “Daughters, Death and Despair in Ethel Colburn Mayne’s Anglo-Irish Short Stories”, Kathryn Laing and Sinéad Mooney (eds), Irish Women’s Writing at the Turn of the Twentieth Century. Alternative Histories, New Narratives. Brighton: Edward Everett Root Publishing, pp. 143-154.
E. D’hoker (2019), “From Isabel Archer to Mrs Osmond: John Banville reinterprets Henry James”, Pietra Palazzola and Darren Borg (eds), John Banville and his Precursors (London: Bloomsbury), pp. 68-86
E. D’hoker (2019), “The Relevance of Narrative Theory for the Study of Short Fiction: The Case of First-Person Present-Tense Narration”, Katharina Rennhak and Matei (eds), Relevance and Narrative Research (Maryland: Lexington Books), pp. 175-188.
E. D’hoker (2019). “The Short Story Anthology”, The Edinburgh Companion to the Short Story in English, Paul Delaney and Adrian Hunter (eds) (Edinburgh: Edinburgh University Press), pp. 108-124.
E. D’hoker (2018), « Réintégrer les voix féminines dans la tradition nouvelliste irlandaise », Frédérique Le Nan, Andrea Brünig, et Catherine Pergoux-Baeza (eds), Voix de Femmes dans le monde. Au prisme du genre dans la littérature et les arts (Presses Universitaires de Rennes), pp. 151-165.
E. D’hoker (2018), “Performing Prospero: Intertextual Strategies in John Banville’s Ghosts”, Nicholas Collins and Stanley Van der Ziel (eds), Shakespeare and Contemporary Irish Literature (London: Palgrave), pp. 223-247.
E. D’hoker (2018), “A Continuum of Fragmentation : Distinguishing the Short Story Cycle from the Composite Novel”, Patrick Gill and Florian KLäger (eds), Constructing Coherence in the British Short Story Cycle (London: Routledge), pp. 17-31.
E. D’hoker (2017), “Intersectionality”, Joost de Bloois, Stijn de Cauwer and Anneleen Masschelein (eds), 50 Key Terms in Contemporary Cultural Theory (Berchem: Pelckmans Pro), pp. 162-167.
E. D’hoker (2017), « Le renouveau de la nouvelle en Irlande », David Martens and Bart Van den Bossche (eds), 1947. Almanach Littéraire. Editions Nouvelles. pp. 280-286.
E. D’hoker (2017), “Artist stories of the 1890s: life, art, and sacrifice”, Reconnecting Aestheticism and Modernism. Continuities, Revisions, Speculations, eds. Bénédicte Coste, Catherline Delyfer and Christeine Reynier (London: Routledge), pp. 92-106.
E. D’hoker (2016). “Narrating the Community: The Short Story Cycles of Val Mulkerns and Mary Beckett” Narrating Ireland in Different Genres and Media. Ed. Katharina Renhak. Trier: WVTrier. pp. 17-32
Stephanie Eggermont and E. D’hoker (2016). “The Short Fiction of New Woman Writers in Avant-Garde, Mainstream and Popular Periodicals of the Fin de Siècle”, in Christoph Ehland and Cornelia Wächter (eds.), Middlebrow and Gender. 1880-1930. Leiden/Boston: Brill. pp. 21-38.
Baetens, J., De Geest, D., Bru, S., D'hoker, E., Gilleir, A., Martens, D., Van Den Bossche, B., Vogelzang, R. (2016). The Many Faces of Time in Modern Literature. In: MDRN (Eds.), Time and Temporality Peeters, IX-XVI.
E. D’hoker (2015), “Complicating the Irish Short Story”, in E. D’hoker and S. Eggermont (eds), The Irish Short Story. Traditions and Trends. Oxford: Peter Lang. pp. 1-17.
Elke D’hoker (2013), “Family and Community in Mary Lavin’s Grimes Stories”, in Elke D’hoker (ed.), Mary Lavin. Dublin: Irish Academic Press.
Elke D'hoker (2011) "Edna O'Brien" In Brian W. Shaffer (ed.) The Encyclopedia of Twentieth-Century Fiction. Vol 1. Twentieth-Century British and Irish Fiction. Oxford: Wiley-Blackwell. pp. 272-275.
Elke D'hoker (2011). "Distorting Mirrors and Unsettling Snapshots" In Claire Bracken and Susan Cahill (eds), Anne Enright Dublin: Irish Academic Press. pp. 33-50.
Elke D'hoker (2010). "John Banville's Dualistic Universe" In Julia M. Wright (ed.) A Companion to Irish LIterature, Vol. II (Blackwell Companions to Literature and Culture). Oxford: Wiley-Blackwell. pp. 345-359.
Elke D’hoker (2008). “Reclaiming Feminine Identities: Anne Enright’s The Wig My Father Wore” In Patricia Coughlan and Tina O’Toole (eds). Irish Literature: Feminist Perspectives. Dublin: Carysfort Press. pp. 185-202.
Elke D’hoker (2008). “From Mimesis to Metaphor: Unreliability in the Works of Kazuo Ishiguro.” Elke D’hoker en Gunther Martens (eds) Narrative Unreliability in the Twentieth-Century First-Person Novel. Berlin: De Gruyter. pp. 149-172.
Elke D’hoker (2007). “The Contemporary Irish First-Person Novel: Renewal of an Old Tradition?” In Michael Böss e.a. (eds.) Irish Studies in Europe. Ireland - Representation and Responsibility. Trier: WVT. pp. 41-51.
Elke D’hoker (2006). "Masks and Mirrors: Anthony Blunt's True Confessions in John Banville's The Untouchable," Patricia A. Lynch, Joachim Fischer and Brian Coates (eds) Back to the Present, Forward to the Past: Irish Writing and History since 1798. Vol I Amsterdam/New York: Rodopi. pp.119-132.
Elke D’hoker (2006). “Over het hoe en waarom van een feministische narratologie,” Sandrine Debunne en Sara S’Jegers (eds). Genderstudies: Een Genre Apart? (Brussel: Sophia 2006). pp. 368-376.
Elke D’hoker (2004). “John Banville”, in Elke D’hoker en & Ortwin de Graef (eds). Engelstalige Literatuur na 1945, Deel 1: Proza: De Britse Eilanden. Leuven: Peeters Uitgeverij. pp. 17-32.
Elke D’hoker (2004). “Kazuo Ishiguro”, in Elke D’hoker & Ortwin de Graef (eds). Engelstalige Literatuur na 1945, Deel 1: Proza: De Britse Eilanden. Leuven: Peeters Uitgeverij. pp. 115-130.
Elke D’hoker (2003). "The German Connection: John Banville vs. R.M. Rilke," Engaging Modernity, ed. Michael Böss and Eamon Maher. Dublin: Veritas. pp. 181-193.
Elke D’hoker (2002). "Negative Aesthetics in Hugo von Hofmannsthal's Ein Brief and John Banville's The Newton Letter," New Voices in Irish Criticism III, ed. Karen Vandevelde. Dublin: Four Courts Press. pp. 36-43.
Elke D’hoker & Geert Lernout (2001). "John Banville", The Lexicon of Post-War Literatures in English 52. pp. 1-15.