Journal articles
E. D’hoker, B. Vanacker, D. Vandebosch & B. Van den Bossche (2022). “La microfiction en classe de langue étrangère: pour une approche dialogique » Les Langues Modernes 116,1. 25-35.
P. Boumans and E. D’hoker (2022), ‘Perfect in her own perfection’: Women Writers in The Bell. Irish University Review, 52 (2) 200-218
E. D’hoker (2021), “Bowen, The Bell, and the Late-Modernist Short Story”, Irish University Review 51,1. 72-84.
Elke D’hoker (2020), “Humbling the human: Posthuman explorations in contemporary short fiction”, Short Fiction in Theory & Practice, 10:2, pp. 135–148, doi: https://doi.org/10.1386/fict_00023_1
Elke D’hoker (2020), “literatuuronderwijs en schoolboeken”, Cahier van literatuurwetenschap 12
Elke D’hoker and Phyllis Boumans (2020), “Moulding the Twentieth-Century Irish Short Story: Séan O’Faoláin and The Bell”, Irish Studies Review 28,3. pp. 287-304.
E. D’hoker and B. Van den Bossche (2020): “Experiments in Short Fiction: Between Genre and Media”, ILLI: Interférences Littéraires / Literaire Interferenties 24. pp. 1-5.
E. D’hoker (2019), “The New Dubliners: Contemporary Irish Short Story Cycles”, Canadian Journal of Irish Studies 42; pp. 100-113.
Elke D’hoker (2018), “Experiences of Ageing in Short Stories by Irish Women Writers”, Nordic Irish Studies Journal 17, 1. pp. 145-160.
Elke D’hoker (2018) “‘Everything has to be qualified’: reading as misreading in John Banville and Paul de Man”, Critique 59, 5. pp. 536-546/.
Elke D’hoker (2018), “Segmentivity, Narrativity and the Short Form: The Twitter Stories of Moody, Egan, and Mitchell”, Short Fiction in Theory and Practice 8, 1-2, pp. 7-20.
Elke D’hoker and Sarah Bonciarelli (2017), “Extending the Middlebrow: Italian Fiction in the Early Twentieth Century”, Belphegor. Littératures Populaires et Cultures Médiatiques 15, 2. http://journals.openedition.org/belphegor/957
M. Kelleher, S. McWade, G. Legg, E. Hughes, L. Mills, C. Magennis, C. Heafey, and E. D’hoker (2017), “Responding to The Glass Shore: An Anthology of Readers”, Irish University Review 47, 3, pp. 549-566.
Elke D’hoker (2017), “Living Landscapes and Precarious Lives: An Interview with Jon McGregor”, Short Fiction in Theory and Practice 7,1, pp. 95-105.
Elke D’hoker and Stephanie Eggermont (2015), “Fin-de-Siècle Women Writers and the Modern Short Story”, English Literature in Transition 58:3. pp. 291-312
Elke D’hoker (2015). “The Challenges of Community in Rachel Cusk’s Arlington Park”, Anglistik 26,1, pp. 13-24.
Debbie Brouckmans and E. D’hoker (2014). “Rewriting the Irish Short Story: Emma Donoghue’s The Woman Who Gave Birth To Rabbits”. Journal of the Short Story in English 63. pp. 213-228.
Elke D’hoker (2014). “Rereading the mother in Edna O’Brien’s Saints and Sinners”. Journal of the Short Story in English 63. pp. 115-130.
Elke D’hoker and Bart Van den Bossche (2014). “Cycles, Recueils, Macrotexts: The Short Story Collection in a Comparative Perspective”, Interférences Littéraires / Literaire
Interferenties: Multilingual e-Journal for Literary Studies 12.
Elke D’hoker and Bart Van den Bossche (2014). “Cycles, Recueils, Macrotexts: Perspectives Comparatives”, Interférences Littéraires / Literaire Interferenties: Multilingual e-Journal for Literary Studies 12.
Elke D’hoker (2013). “Painterly Stories: An Interview with Rachel Cusk”, Short
Fiction in Theory and Practice 3,2, pp. 253-259
Elke D’hoker(2013). “The Short Story Cycle: Broadening the Perspective”, Short
Fiction in Theory & Practice 3,2, pp. 151-160.
Elke D’hoker (2013). “Linked Stories, Connected Lives: The Lucky Ones as Short Story Cycle”, E-REA: Revue électronique d’études sur le monde Anglophone 10, 2
Elke D'hoker (2013) "'And the transformation begins': Present-Tense Narration in Claire Keegan's Daughter Stories", Contemporary Women's Writing 7,2, pp. 190-204. _
Elke D’hoker (2012). “Writers, artists, mothers: Author figures in the short fiction of Mary Lavin”, Short Fiction in Theory & Practice 2,1-2, pp. 129-140.
Elke D'hoker (2012) "The Development of Katherine Mansfield's First-Person Narratives", Journal of Narrative Theory 42,2, pp. 149-165.
Elke D’hoker. (2012) “The Poetics of House and Home in the Short Fiction of Elizabeth Bowen”, Orbis Litterarum 67,4, pp. 267-289.
Elke D'hoker (2011). "Half-Man or Half-Doll: George Egerton's Response to Friedrich Nietzsche", Women's Writing 18,4. pp. 524-546.
Elke D’hoker and Nicola Humble (2011), “Theorizing the Middlebrow: An Interview with Nicola Humble”, Interférences Littéraires 7, pp.295-264.
Elke D'hoker (2011). "Over het belang van literatuur", Karakter: Tijdschrift van Wetenschap 35. pp. 13-15.
Elke D’hoker (2000). “‘The Mystery of Simple Things’: de functionaliteit van het sublieme in het proza van John Banville,” ALW-cahier 22. pp. 99-109.Elke D’hoker (2008). “Beyond the Stereotypes: Mary Lavin’s Irish Women.” Irish Studies Review 16,4. pp. 415-430.
Elke D’hoker (2008). “The Role of the Imagination in Virginia Woolf’s Short Fiction”. Journal of the Short Story in English 50. pp. 17-32.
Elke D’hoker (2008). “Moments of Being: Carol Shields’ Short Fiction.” Studies in Canadian Literature 32,1. pp.151-168.
Elke D’hoker (2008). “‘The Sound of a Man’s Voice Speaking’: Narrative Strategies in Benedict Kiely’s Short Stories”. Irish University Review. 38,1. pp. 38-52.
Elke D’hoker (2007). “The Unreliable Ripley: Irony and Satire in Robert McLiam Wilson’s Ripley Bogle.” Modern Fiction Studies 52,3. pp. 460-477.
Elke D’hoker (2007). “Powerful Voices: Female Narrators and Unreliability in Three Irish Novels.” Etudes Irlandaises 32,1. pp. 21-31.
Elke D’hoker (2007). “Nothing fails like success: De feministische literatuurkritiek bevindt zich in een crisis,” Karakter: Tijdschrift van Wetenschap 17. pp. 12-15.Elke D’hoker (2006). “Self-Consciousness, Solipsism and Story-Telling. John Banville’s Debt to Samuel Beckett.” Irish University Review 36,1. pp. 68-80.
Elke D’hoker (2006). “Confession and Atonement in the English Novel: J.M. Coetzee, John Banville and Ian McEwan”, Critique: Studies in Contemporary Fiction 48,1. pp. 31-43.
Elke D’hoker (2005). “’Ripley Irish British Bogle’ and ‘The New Irish’: Hybrid Identities in the Fiction of Robert McLiam Wilson.” BELL . Belgian Journal of English Language and Literatures New Series 3. pp.23-34.
Elke D’hoker (2004). “’In the beginning was the deed’: Faustian Poetics in John Banville’s Mefisto,” Irish-German Studies. pp. 131-141.
Elke D’hoker (2004). “’What then would life be but despair?”: Romanticism and Scepticism in John Banville’s Doctor Copernicus”, Contemporary Literature 45,1. 49-78.
Elke D’hoker (2004). "The Postmodern Folktales of Eílis Ní Dhuibhne”, ABEI-Journal The Brazilian Journal of Irish Studies No. 6, June 2004. pp. 129-140.
Elke D’hoker (2003). "Bekentenissen van een masker: biografie en autobiografie in John Banvilles The Untouchable," Feit&Fictie: Tijdschrift voor de geschiedenis van de representatie 5,4. pp. 35-49.
Elke D’hoker (2003). “‘Die hopeloos lichamelijke wezens’: representaties van vrouwen in het postmoderne oeuvre van John Banville,” Tijdschrift voor genderstudies 2003/4. pp. 40-49.
Elke D’hoker (2003). “Het brein in literatuur en wetenschap,” Karakter: Tijdschrift van Wetenschap 3. pp. 13-16.Elke D’hoker (2002). "Portrait of the Other as a Woman with Gloves: Ethical Perspectives in John Banville's The Book of Evidence," Critique: Studies in Contemporary Fiction, 44,1. pp. 23-37.
Elke D’hoker (2001). "De betekenisloze epifanie: Een epifenomeen van de postmoderniteit,” Dietsche Warande en Belfort 146,3. pp. 360-368.
Elke D’hoker (2001). “Scientific Transformations and Artistic Creations in John Banville’s Kepler,” BELL Belgian Essays on Language and Literature 2001. pp. 67-78.
Elke D’hoker (2000). “Books of Revelation: Epiphany in John Banville’s Science Tetralogy and Birchwood,” Irish University Review 30,1. pp. 32-50.
Elke D’hoker & Hedwig Schwall (2000) “Interview with Glenn Patterson,” Etudes Irlandaises 25,1. pp. 91-101.
P. Boumans and E. D’hoker (2022), ‘Perfect in her own perfection’: Women Writers in The Bell. Irish University Review, 52 (2) 200-218
E. D’hoker (2021), “Bowen, The Bell, and the Late-Modernist Short Story”, Irish University Review 51,1. 72-84.
Elke D’hoker (2020), “Humbling the human: Posthuman explorations in contemporary short fiction”, Short Fiction in Theory & Practice, 10:2, pp. 135–148, doi: https://doi.org/10.1386/fict_00023_1
Elke D’hoker (2020), “literatuuronderwijs en schoolboeken”, Cahier van literatuurwetenschap 12
Elke D’hoker and Phyllis Boumans (2020), “Moulding the Twentieth-Century Irish Short Story: Séan O’Faoláin and The Bell”, Irish Studies Review 28,3. pp. 287-304.
E. D’hoker and B. Van den Bossche (2020): “Experiments in Short Fiction: Between Genre and Media”, ILLI: Interférences Littéraires / Literaire Interferenties 24. pp. 1-5.
E. D’hoker (2019), “The New Dubliners: Contemporary Irish Short Story Cycles”, Canadian Journal of Irish Studies 42; pp. 100-113.
Elke D’hoker (2018), “Experiences of Ageing in Short Stories by Irish Women Writers”, Nordic Irish Studies Journal 17, 1. pp. 145-160.
Elke D’hoker (2018) “‘Everything has to be qualified’: reading as misreading in John Banville and Paul de Man”, Critique 59, 5. pp. 536-546/.
Elke D’hoker (2018), “Segmentivity, Narrativity and the Short Form: The Twitter Stories of Moody, Egan, and Mitchell”, Short Fiction in Theory and Practice 8, 1-2, pp. 7-20.
Elke D’hoker and Sarah Bonciarelli (2017), “Extending the Middlebrow: Italian Fiction in the Early Twentieth Century”, Belphegor. Littératures Populaires et Cultures Médiatiques 15, 2. http://journals.openedition.org/belphegor/957
M. Kelleher, S. McWade, G. Legg, E. Hughes, L. Mills, C. Magennis, C. Heafey, and E. D’hoker (2017), “Responding to The Glass Shore: An Anthology of Readers”, Irish University Review 47, 3, pp. 549-566.
Elke D’hoker (2017), “Living Landscapes and Precarious Lives: An Interview with Jon McGregor”, Short Fiction in Theory and Practice 7,1, pp. 95-105.
Elke D’hoker and Stephanie Eggermont (2015), “Fin-de-Siècle Women Writers and the Modern Short Story”, English Literature in Transition 58:3. pp. 291-312
Elke D’hoker (2015). “The Challenges of Community in Rachel Cusk’s Arlington Park”, Anglistik 26,1, pp. 13-24.
Debbie Brouckmans and E. D’hoker (2014). “Rewriting the Irish Short Story: Emma Donoghue’s The Woman Who Gave Birth To Rabbits”. Journal of the Short Story in English 63. pp. 213-228.
Elke D’hoker (2014). “Rereading the mother in Edna O’Brien’s Saints and Sinners”. Journal of the Short Story in English 63. pp. 115-130.
Elke D’hoker and Bart Van den Bossche (2014). “Cycles, Recueils, Macrotexts: The Short Story Collection in a Comparative Perspective”, Interférences Littéraires / Literaire
Interferenties: Multilingual e-Journal for Literary Studies 12.
Elke D’hoker and Bart Van den Bossche (2014). “Cycles, Recueils, Macrotexts: Perspectives Comparatives”, Interférences Littéraires / Literaire Interferenties: Multilingual e-Journal for Literary Studies 12.
Elke D’hoker (2013). “Painterly Stories: An Interview with Rachel Cusk”, Short
Fiction in Theory and Practice 3,2, pp. 253-259
Elke D’hoker(2013). “The Short Story Cycle: Broadening the Perspective”, Short
Fiction in Theory & Practice 3,2, pp. 151-160.
Elke D’hoker (2013). “Linked Stories, Connected Lives: The Lucky Ones as Short Story Cycle”, E-REA: Revue électronique d’études sur le monde Anglophone 10, 2
Elke D'hoker (2013) "'And the transformation begins': Present-Tense Narration in Claire Keegan's Daughter Stories", Contemporary Women's Writing 7,2, pp. 190-204. _
Elke D’hoker (2012). “Writers, artists, mothers: Author figures in the short fiction of Mary Lavin”, Short Fiction in Theory & Practice 2,1-2, pp. 129-140.
Elke D'hoker (2012) "The Development of Katherine Mansfield's First-Person Narratives", Journal of Narrative Theory 42,2, pp. 149-165.
Elke D’hoker. (2012) “The Poetics of House and Home in the Short Fiction of Elizabeth Bowen”, Orbis Litterarum 67,4, pp. 267-289.
Elke D'hoker (2011). "Half-Man or Half-Doll: George Egerton's Response to Friedrich Nietzsche", Women's Writing 18,4. pp. 524-546.
Elke D’hoker and Nicola Humble (2011), “Theorizing the Middlebrow: An Interview with Nicola Humble”, Interférences Littéraires 7, pp.295-264.
Elke D'hoker (2011). "Over het belang van literatuur", Karakter: Tijdschrift van Wetenschap 35. pp. 13-15.
Elke D’hoker (2000). “‘The Mystery of Simple Things’: de functionaliteit van het sublieme in het proza van John Banville,” ALW-cahier 22. pp. 99-109.Elke D’hoker (2008). “Beyond the Stereotypes: Mary Lavin’s Irish Women.” Irish Studies Review 16,4. pp. 415-430.
Elke D’hoker (2008). “The Role of the Imagination in Virginia Woolf’s Short Fiction”. Journal of the Short Story in English 50. pp. 17-32.
Elke D’hoker (2008). “Moments of Being: Carol Shields’ Short Fiction.” Studies in Canadian Literature 32,1. pp.151-168.
Elke D’hoker (2008). “‘The Sound of a Man’s Voice Speaking’: Narrative Strategies in Benedict Kiely’s Short Stories”. Irish University Review. 38,1. pp. 38-52.
Elke D’hoker (2007). “The Unreliable Ripley: Irony and Satire in Robert McLiam Wilson’s Ripley Bogle.” Modern Fiction Studies 52,3. pp. 460-477.
Elke D’hoker (2007). “Powerful Voices: Female Narrators and Unreliability in Three Irish Novels.” Etudes Irlandaises 32,1. pp. 21-31.
Elke D’hoker (2007). “Nothing fails like success: De feministische literatuurkritiek bevindt zich in een crisis,” Karakter: Tijdschrift van Wetenschap 17. pp. 12-15.Elke D’hoker (2006). “Self-Consciousness, Solipsism and Story-Telling. John Banville’s Debt to Samuel Beckett.” Irish University Review 36,1. pp. 68-80.
Elke D’hoker (2006). “Confession and Atonement in the English Novel: J.M. Coetzee, John Banville and Ian McEwan”, Critique: Studies in Contemporary Fiction 48,1. pp. 31-43.
Elke D’hoker (2005). “’Ripley Irish British Bogle’ and ‘The New Irish’: Hybrid Identities in the Fiction of Robert McLiam Wilson.” BELL . Belgian Journal of English Language and Literatures New Series 3. pp.23-34.
Elke D’hoker (2004). “’In the beginning was the deed’: Faustian Poetics in John Banville’s Mefisto,” Irish-German Studies. pp. 131-141.
Elke D’hoker (2004). “’What then would life be but despair?”: Romanticism and Scepticism in John Banville’s Doctor Copernicus”, Contemporary Literature 45,1. 49-78.
Elke D’hoker (2004). "The Postmodern Folktales of Eílis Ní Dhuibhne”, ABEI-Journal The Brazilian Journal of Irish Studies No. 6, June 2004. pp. 129-140.
Elke D’hoker (2003). "Bekentenissen van een masker: biografie en autobiografie in John Banvilles The Untouchable," Feit&Fictie: Tijdschrift voor de geschiedenis van de representatie 5,4. pp. 35-49.
Elke D’hoker (2003). “‘Die hopeloos lichamelijke wezens’: representaties van vrouwen in het postmoderne oeuvre van John Banville,” Tijdschrift voor genderstudies 2003/4. pp. 40-49.
Elke D’hoker (2003). “Het brein in literatuur en wetenschap,” Karakter: Tijdschrift van Wetenschap 3. pp. 13-16.Elke D’hoker (2002). "Portrait of the Other as a Woman with Gloves: Ethical Perspectives in John Banville's The Book of Evidence," Critique: Studies in Contemporary Fiction, 44,1. pp. 23-37.
Elke D’hoker (2001). "De betekenisloze epifanie: Een epifenomeen van de postmoderniteit,” Dietsche Warande en Belfort 146,3. pp. 360-368.
Elke D’hoker (2001). “Scientific Transformations and Artistic Creations in John Banville’s Kepler,” BELL Belgian Essays on Language and Literature 2001. pp. 67-78.
Elke D’hoker (2000). “Books of Revelation: Epiphany in John Banville’s Science Tetralogy and Birchwood,” Irish University Review 30,1. pp. 32-50.
Elke D’hoker & Hedwig Schwall (2000) “Interview with Glenn Patterson,” Etudes Irlandaises 25,1. pp. 91-101.